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The confirmed number of Kyrgyzstan gambling halls is something in a little doubt. As information from this country, out in the very remote interior area of Central Asia, tends to be difficult to get, this might not be all that difficult to believe. Regardless if there are two or 3 approved gambling halls is the item at issue, maybe not quite the most all-important piece of information that we don’t have.

What will be credible, as it is of the majority of the old Soviet nations, and definitely accurate of those located in Asia, is that there no doubt will be a good many more not legal and clandestine gambling dens. The switch to authorized gambling didn’t energize all the illegal gambling halls to come away from the dark into the light. So, the clash over the number of Kyrgyzstan’s casinos is a small one at most: how many legal ones is the thing we’re trying to reconcile here.

We understand that in Bishkek, the capital metropolis, there is the Casino Las Vegas (a spectacularly unique title, don’t you think?), which has both table games and one armed bandits. We can also find both the Casino Bishkek and the Xanadu Casino. The pair of these offer 26 slot machines and 11 table games, split amidst roulette, blackjack, and poker. Given the amazing similarity in the square footage and setup of these 2 Kyrgyzstan gambling dens, it might be even more surprising to determine that the casinos share an address. This seems most bewildering, so we can clearly determine that the list of Kyrgyzstan’s gambling dens, at least the approved ones, stops at two casinos, one of them having changed their title not long ago.

The state, in common with practically all of the ex-USSR, has undergone something of a rapid adjustment to free market. The Wild East, you could say, to reference the lawless conditions of the Wild West an aeon and a half ago.

Kyrgyzstan’s gambling halls are actually worth visiting, therefore, as a piece of social research, to see money being wagered as a type of social one-upmanship, the aristocratic consumption that Thorstein Veblen wrote about in nineteeth century usa.